Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Õàêñëè Î., Î äèâíûé íîâûé ìèð. Ñëåïåö â Ãàçå — 2021 (Áèáëèîòåêà êëàññèêè)

"Πäèâíûé íîâûé ìèð" (1932) - êóëüòîâàÿ àíòèóòîïèÿ Îëäîñà Õàêñëè, èçäàííàÿ ìèëëèîííûìè òèðàæàìè ïî âñåìó ìèðó. Ðîìàí î ãåíåòè÷åñêè ïðîãðàììèðóåìîì "îáùåñòâå ïîòðåáëåíèÿ", îáùåñòâå "âñåîáùåãî ñ÷àñòüÿ", â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ ÷åëîâåêà, ñòàâøåãî ÷óæàêîì â ýòîì ìèðå... "Ñëåïåö â Ãàçå" (1936) - ðîìàí, êîòîðûé ìíîãèå êðèòèêè íàçûâàëè è íàçûâàþò "ãëàâíîé êíèãîé Îëäîñà Õàêñëè". Õîëîäíî, òàëàíòëèâî è áåçæàëîñòíî èçëîæåííàÿ èñòîðèÿ èíòåëëåêòóàëà â Àíãëèè 30-õ ãîäîâ ïðîøëîãî âåêà - òðàãåäèÿ íåïîíèìàíèÿ, íåëþáâè, íåîñîçíàííîñòè äóøåâíûõ ïîðûâîâ è äóõîâíûõ ïðîçðåíèé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàêñëè Î., Î äèâíûé íîâûé ìèð. [ðîìàí] — 2016 (Ýêñêëþçèâíàÿ êëàññèêà)

"Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàêñëè Î., Î äèâíûé íîâûé ìèð. [ðîìàí] — 2015 (Êíèãè, èçìåíèâøèå ìèð. Ïèñàòåëè, îáúåäèíèâøèå ïîêîëåíèÿ) (Ýêñêëþçèâíàÿ êëàññèêà)

"Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàêñëè Î., Î äèâíûé íîâûé ìèð. [ðîìàí] — 2013 (Çàðóáåæíàÿ êëàññèêà)

"Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàêñëè Î., Öåëèòåëüíûé îòäûõ. ðàññêàçû. [ïåðåâîä ñ àíãëèéñêîãî] — 2005

Ïðèçíàííûé ìàñòåð áðèòàíñêîé ïðîçû Îëäîñ Õàêñëè (1894-1963), ëè÷íîñòü íåçàóðÿäíàÿ è ìíîãîãðàííàÿ, â ÷èñëå ïðî÷èõ ëèòåðàòóðíûõ ïðîèçâåäåíèé ñîçäàë ìíîæåñòâî ïðåêðàñíûõ ðàññêàçîâ.  ýòîé êíèãå ïðåäñòàâëåíû íåêîòîðûå èç íèõ, íåçàñëóæåííî çàáûòûå â ïîñëåäíèå ãîäû

Ñîäåðæàíèå: Ïîñëå ôåéåðâåðêà; Öåëèòåëüíûé îòäûõ; Ìîíîêëü; È çàæèëè îíè ñ÷àñòëèâî; Åâïîìï ïðîñëàâèë èñêóññòâî ÷èñëàìè; Êíèæíàÿ ëàâêà; Þíûé Àðõèìåä; Öèíòèÿ; Êëàêñòîíû; Çåëåíûå òóííåëè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Brave New World — 2004 (Vintage Huxley)

Brave New World is a dystopian novel written in 1931 by English author Aldous Huxley, and published in 1932. Largely set in a futuristic World State of genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific developments in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that are combined to make a utopian society that goes challenged only by a single outsider.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèå ðàññêàçû — 1993 (Áèáëèîòåêà äëÿ äîìàøíåãî ÷òåíèÿ)

 ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Short Stories of the 20th Century. 1900-1950 — 1988

 ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Brave New World — 1983 (Charnwood Large Type)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Poetry. 1918-60 — 1983 (The Penguin Poets)

This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Eyeless in Gaza — 1979

Written at the height of his powers immediately after Brave New World, Aldous Huxley's highly acclaimed Eyeless in Gaza is his most personal novel. Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Contemporary Verse. 1918-60 — 1977

The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàêñëè Î., Î äèâíûé íîâûé ìèð. [ðîìàí] — 2013 (Êíèãà íà âñå âðåìåíà)

"Πäèâíûé íîâûé ìèð" - èçûñêàííàÿ è îñòðîóìíàÿ àíòèóòîïèÿ î ãåíåòè÷åñêè ïðîãðàììèðóåìîì îáùåñòâå ïîòðåáëåíèÿ, â êîòîðîì ðàçâîðà÷èâàåòñÿ òðàãè÷åñêàÿ èñòîðèÿ Äèêàðÿ - "Ãàìëåòà" ýòîãî ìèðà...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Island — 1979

Huxley's utopia and final novel, set in the fictional Buddhist Island of Pala. Pala offers psychedelicdrugs ("moksha medicine") and tantric sex; but otherwise isn't much fun.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Antic Hay — 1977 (Panther Books)

1923. Antic Hay is one of Aldous Huxley s earlier novels, and like them is primarily a novel of ideas involving conversations that disclose viewpoints rather than establish characters; its polemical theme unfolds against the backdrop of London s post-war nihilistic Bohemia. This is Huxley at his biting, brilliant best, a novel, loud with derisive laughter, which satirically scoffs at all conventional morality and at stuffy people everywhere, a novel that s always charged with excitement.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Brief Candles. Four Stories — 1977 (Panther)

Huxley s vision of the future in his astonishing 1931 novel Brave New World -- a world of tomorrow in which capitalist civilization has been reconstituted through the most efficient scientific and psychological engineering, where the people are genetically designed to be passive, consistently useful to the ruling class.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Antic Hay — 1982

London life just after World War I, devoid of values and moving headlong into chaos at breakneck speed - Aldous Huxley s Antic Hay, like Hemingway s The Sun Also Rises, portrays a world of lost souls madly pursuing both pleasure and meaning. Fake artists, third-rate poets, pompous critics, pseudo-scientists, con-men, bewildered romantics, cock-eyed futurists - all inhabit this world spinning out of control, as wildly comic as it is disturbingly accurate. In a style that ranges from the lyrical to the absurd, and with characters whose identities shift and change as often as their names and appearances, Huxley has here invented a novel that bristles with life and energy, what the New York Times called a delirium of sense enjoyment!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., The Gioconda Smile and other stories — 1986

The Gioconda Smile is the title story in this collection of eigteen witty and masterfully constructed stories by one of the greatest writers of the twentieth century

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Huxley A., Crome Yellow — 1979

Ðîìàí Æåëòûé Êðîì - îäíî èç ëó÷øèõ ïðîèçâåäåíèé èçâåñòíîãî àíãëèéñêîãî ïèñàòåëÿ Îëäîñà Õàêñëè. Íàïèñàííûé â 1921 ãîäó ðîìàí ïðåäñòàâëÿåò ñîáîé òàëàíòëèâóþ è îñòðîóìíóþ ñîöèàëüíóþ ñàòèðó íà ñîâðåìåííîå àíãëèéñêîå îáùåñòâî. Êîìïîçèöèîííî ðîìàí îãðàíè÷åí ñîáûòèÿìè â çàãîðîäíîì äîìå âî âðåìÿ îäíîãî óèê-ýíäà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ